Classical & Early Music

San Francisco Choral Artists
Lang Lang

The Santa Rosa Symphony

St Dominic's Solemn Mass Choir

The San Francisco Guitar Quartet

Euouae ~ New perspectives in medieval music performance

Jon Mendle (11 string archguitar)

Galax String Quartet with Karen Clark

Artists' Vocal Ensemble (AVE)

Green Music Festival- Sonoma State University

San Francisco Bach Choir

Sacred & Profane

San Francisco Symphony

Viva la Musica!

Berkeley Symphony Orchestra

The Greater Boston Youth Symphony Orchestra

Steve Bailey

Todd Boekelheide

Amy Brodo

The California Bach Society

California Symphony

Chancel Choir of the First Unitarian Church- Oakland, California

Choir of St Joseph Basilica

Chora Nova

Choralis

David Conte

Creative Voices

David Barnett

David Garner (composer

Marco Granados

Head Royce School- Oakland, CA

Jeffrey Kahane

Elaine Kreston

Richard Liszt

Music of the Spheres

Magnificat

Music in the Vineyards

Piedmont Choirs

Fritz Steinegger

Mark Tayler

Valley Concert Chorale

Vox Populi

Brandon Yip

Joelle Wallach

Scott Whittaker

Twyla Whittaker

Renee Witon

Jazz & Latin

Chus Alonso/ Potaje Flamenco

Roberto Borell

Orquesta La Moderna Tradicion

Cat’s A Bear/ Frank Singer

Cascada De Flores

Steve Deutsch Ensemble

Jack Gates

Kash Killion & Killion’s Trillions

Daniel Maya

Mark Stevens

Pop & Rock

Neurosis

Jimmy Miller (Rolling Stones, Traffic, etc)

Blister

Brain Trust

Beachmasters

Boy’s Life

The Bungee Jumpin’ Cows

Chain Link Fence

Fatty

Greg Chansky

The Daughters

Fred Gianelli

Teese Gohl

Grinch

The Inside

Little Big Horns

Mandible Chatter

Metal Mike Saunders

Mark French

Ojorojo

PTL Club

Salem 66

Scruffy the Cat

Scarlett

Screwdriver Smile

Scorcher

Simon Ritt

Tilt

Robert Temple

Three Colors

The Underachievers

Virage

Folk & New Acoustic

Christy McCarthy

Fender Cronin

Carol Denney

Joe Cadora

Carol Curtis

Mary Lee Dazey

Tara Jones

Donal MacCoon

Megan McLaughlin

The Trout

Adina Sara

Billy Walsh & Willy Eger

Robert Winters

 

 

“The sound Mark Lemaire captures is absolutely beautiful, with a natural warmth and transparency that is crucial to making a high-quality acoustic or classical recording. His rare combination of score-reading skills, musicianship, and keen ears not only make his sessions flow smoothly and efficiently, but also enables those who are recording to concentrate on playing their best.”

Patrick Francis, classical guitarist & member of the San Francisco Guitar Quartet

“Mark’s equipment is excellent, he is attentive to detail and he is cooperative and collaborative. His effectiveness was noteworthy when we put together a complicated recording project with a children's choir in Germany. Editing and mixing the two choirs in remote locations was no easy trick but Mark handled it with ease. Bravo!”

Robert Geary, Artistic Director, Volti, Piedmont Children's Choirs, San Francisco Choral Society

“Mark Lemaire has been making beautiful concert recordings for us for years! He is a musician and also a very nice person, which helps a lot. I highly recommend Mark's services to anyone needing a recording engineer who really attends to the details and always strives to do his considerable best for you.”

Sharon Gustavson, Managing Director, San Francisco Bach Choir

“Mark Lemaire’s standards and equipment are of the highest order. He uses microphones, pre-amps and other gear that far surpasses commonly encountered professional standards. He also takes great pains to obtain a recorded sound that is at once honest, transparent, warm, supple and highly detailed. Although, in my opinion, there is still no substitute for live performance, Mark’s recordings come close to capturing the essential nature, vitality and life force of a live performance. I would not hesitate to suggest his services to anyone serious and critical about their art.”

Mark Simons, Guitarist, San Francisco Guitar Quartet

“Mark Lemaire is a consummate professional. Few people have such a total command of proper recording, mixing and editing technique, have as keen an ear, and moreover are as completely reliable and affable as Mark. His mixes and recordings always sound spot-on. Three words sum it up: ‘Mark's the best.’”

Joseph Gregorio, composer / conductor

"Mark works fast and accurately, knows his stuff both musically and technically, and is a supportive, creative partner in the recording and editing process. Mark’s demeanor in a recording session is relaxing, really conducive to good music-making, and yet also efficient—we get a lot done! I wouldn’t consider using anyone else.

For my projects, Mark has recorded a large choir with organ, a small vocal ensemble, vocal soloists, dueling pianos, a rock band, gospel trio, percussion, guitars, fiddle, handbells…you name it! There doesn’t seem to be any combination of instruments or voices that he can’t make sound good. I have always been impressed by his versatility, flexibility, and imaginative approach to recording. His ultimate aim is to make us sound great, and we always have.”

Kim Rankin, Director of Music Ministry, First Unitarian Church of Oakland

“Sonically, Mark is one of the best engineers out there. His recordings are super clean and he is a master at the board.”

Christie McCarthy

“My musical collaboration with Mark Lemaire goes back a decade, and spans my first classical CD project to my latest live rock’n’roll show. Whether choosing and placing microphones, recording, playing back, editing or just talking about it all- he is on top of it and I know we are creating quality music.”

Steven Bailey, Classical Pianist and Bob Dylan impersonator

“Mark is the total professional; he created a supportive recording environment without ever compromising the quality of the project. He has a terrific, musical ear: his edits were seamless and the overall sound was excellent.”

Nanette McGuinness, lyric soprano

“Mark is an exceptional recording engineer. His experience and knowledge of the technical and musical issues are invaluable. His editing skills are on a par with the best in the field. Our recording of "Shadow Tree" is undeniably the finest recording a work of mine has ever received—I couldn't be more delighted.”

John G. Bilotta, composer

“Mark Lemaire's finesse and attention to detail, as a player and an engineer, is well-known, but it was his deeply creative nature that gave my first project some special qualities I'm not sure it would otherwise have had. A little brilliance always peps up a track, but couple it with the unexpected, and you have something you can't stop enjoying. Don't miss an opportunity to work with Mark; you will never regret it.”

Carol Denney, musician, "The Rich Will Never Be Poor"

“Mark Lemaire gets my highest recommendation.”

Fritz Steinegger, pianist

“It has always been a pleasure to work with Mark Lemaire. Mark is very professional—never distracting the audience or performers from the music itself. His experience recording live performances of choral and instrumental music is evident in the high quality of the finished product.”

Helen Barrios, President, California Bach Society

  

“I chose Mark because of his skill as a vocal coach, his easy manner in the studio, and his ears. I absolutely trust his judgment—and he is a joy to work with!”

Megan McLaughlin

“Mark has an easy confidence that makes for a very comfortable working environment.� I quickly trusted his feedback as he clearly has an acute ear for timbre, tuning, style, dynamics and timing. The editing is seamless and more importantly, I feel that Mark was able to capture the unique quality of my voice.”

Christa Pfeiffer, soprano